Antonello da Messina
Sicily's Renaissance master
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Author
Contributions
- Antonello, da Messina, 1430?-1479. - Contributor
- Christiansen, Keith. - Contributor
- Bayer, Andrea. - Contributor
- Metropolitan Museum of Art (New York, N.Y.) - Contributor
Publication
2005 - Metropolitan Museum of Art, New York, New York (State)
Language
English
Word Count
14,000 words, Guess
Page Count
56 pages
Identifiers
- Open LibraryOL3413892M
- ISBN-101588391779
- OCLC Control Number607641057
- OCLC Control Number62127808
- Library of Congress Control Number2005030041
and 2 more
- LibraryThing362897
- Goodreads3702714
Classifications
- DDC759.5
- LCCND623.A53952 A4 2005
Description
Antonello da Messina (ca. 1430 1479) was one of the most groundbreaking and influential painters of the quattrocento. No other Italian artist of the fifteenth-century responded in such a direct fashion to the great masters of Bruges and Brussels (including use of their oil technique), to the brilliant Provencal painters, and to the established giants of Italian art, such as Piero della Francesca and Mantegna. In so doing he created unique images with a harmonious and geometrical clarity, yet included exquisite descriptive passages. Although Antonello worked primarily in Sicily, his travels to Naples and Venice were influential to the development of his style, and where he in turn had an enormous impact on painting. Antonello da Messina: Sicily’s Renaissance Master includes an informative essay by Giaocchino Barbera and entries on seven works that will be seen for the first time in the United States as part of a focus exhibition at The Metropolitan Museum of Art, including Antonello’s masterpiece, the Virgin of the Annunciation from Palermo, whose haunting beauty has been compared to Leonardo da Vinci’s Mona Lisa.
Subjects
Topics
Places
Genres
- Exhibitions.
Other Editions
- Antonello da Messina: Sicily's Renaissance master
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