MACHINE MACHINE

Description

Italian contemporary poetry in translation

First Sentence

Interestingly, the emphasis on the machine as desire is present in the theory of Gilles Deleuze and Felix Guattari, in L'anti-Oedipe: ‘Technical machines only work if they are not out of order. Desiring machines on the contrary continually break down as they run, and in fact run only when they are not functioning properly. Art often takes advantage of this property by creating veritable group fantasies in which desiring production is used to short-circuit social production, and to interfere with the reproductive function of technical machines by introducing an element of dysfunction.’ Passannanti shows that mother and daughter share knowledge though the ambiguous language of poetry. The intellect of the daughter is at work in decoding her mother mysterious utterances, triggered by the disease as a machine. The body of the hospitalized mother is like a machine embodying all knowledge into a stratified text for the use of a special kind of cultural transmission: the mother’s free speech automatically reflects also on the meaning of money and commodities (the sewing machine and the type writers perceived in In Iugoslavia con i piedi a terra), which threaten to substitutes the human being. Laura McLoughlin, Ireland, UK

Subjects

Series Statement

• Transference