The modern portrait in nineteenth-century France
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Author
Publication
2001 - Cambridge University Press, Cambridge, England
Language
English
Word Count
71,500 words, Guess
Page Count
286 pages
Identifiers
- Internet Archivemodernportraitin0000mcph
- ISBN-10052177361X
- ISBN-139780521773614
- LibraryThing6051962
- Goodreads4800841
and 4 more
- Library of Congress Control Number00036296
- OCLC Control Number43884603
- Better World Books9780521773614
- Open LibraryOL6784429M
Classifications
- DDC757/.0944/09034
- LCCND1316.5 .M368 2001
Description
"This interdisciplinary study examines the evolution of French portraiture after the advent of photography, focusing on the portrait as a contested site of representation and on the diverse strategies that artists deployed to revitalize and modernize the portrait during the second half of the nineteenth century. In six case studies of French artists, ranging from Sarah Bernhardt to Paul Cezanne, McPherson explores the complex interplay between painting and photography and the sociocultural, stylistic, and phenomenological complexities of the modern portrait. By considering portraiture within the broader cultural matrix of history, biography, and artistic and literary cross-currents, together with shifts in the production and consumption of images, McPherson deftly situates the modern portrait at the epicenter of nineteenth-century visual culture."--Jacket.
Subjects
Topics
Places
Times
Genres
- Portraits
- Biography
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