Museums in the German art world from the end of the old regime to the rise of modernism
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Author
Publication
2000 - Oxford University Press, New York, New York (State)
Language
English
Word Count
64,500 words, Guess
Page Count
258 pages
Identifiers
- Open LibraryOL49915M
- ISBN-100195135725
- OCLC Control Number42690178
- OCLC Control Numbermuseumsingermana00shee_0
- Library of Congress Control Number99053648
and 2 more
- LibraryThing4751623
- Goodreads796393
Classifications
- DDC708.3/09
- LCCN2210 .S54 2000
Description
"Art museums teach us what to see when we look at art. This book uses the history of art museums in Germany to illuminate the origins and character of the museum's central role in modern culture. By combining the history of ideas, institutions, and architecture, this study shows how the museum both reflected and shaped the place of art in German culture from the late eighteenth century to the early twentieth century.". "James Sheehan begins by describing the establishment of the first public galleries during the last decades of Germany's old regime. He then examines the revolutionary upheaval that swept Germany between 1789 and 1815, arguing that the first great German museums reflected the nation's revolutionary aspirations. By the mid-nineteenth century, the climate had changed; museums constructed in this period affirmed historical continuities and celebrated political accomplishments. During the next several years, however, Germans became disillusioned with conventional definitions of art and lost interest in monumental museums. By the turn of the century, the museum had become a site for the political and cultural controversies caused by the rise of artistic modernism. In this context, Sheehan argues, we can see the first signs of what would become the modern style of museum architecture and modes of display.". "The first study of its kind, this book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture."--BOOK JACKET.
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