High Lonesome
The American Culture of Country Music
Pap/Com edition
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Word Count
88,000 words, Guess
Page Count
352 pages
Physical Format
Paperback
Identifiers
- Internet Archivehighlonesomeamer0000tich_q8y6
- ISBN-100807846082
- ISBN-139780807846087
- Goodreads323931
- LibraryThing1528636
and 5 more
- Library of Congress Control Number93036130
- OCLC Control Number28848018
- OCLC Control Number1001908559
- Better World Books9780807846087
- Open LibraryOL7972579M
Classifications
- LCCML3524 .T5 1994
Description
What does the "country" in country music mean? Most interpret country as a regional or folk music that belongs to people in the hills and in honky-tonks, but Cecelia Tichi argues that it is in fact a national music form, one that belongs to all Americans. In High Lonesome, she shows that country music is strongly linked to our nation's literature and art. Country music, Tichi argues, explores the same themes that have intrigued this country's premier writers and artists over three centuries: the American road, the meaning of home, class struggle, spiritual travail, and the persistent loneliness of the American character. These are obsessions that country music artists like Dolly Parton, Hank Williams, Rodney Crowell, Merle Haggard, and Emmylou Harris share with artists not thought of as "pop" - Ralph Waldo Emerson, Harriet Beecher Stowe, Mark Twain, Thomas Cole, Edward Hopper, and Georgia O'Keeffe. Generously illustrated with photographs of country music artists and images from American art, High Lonesome uses interviews and biographical profiles to present an insider's look at the schooling, customs, demands, and discipline of country music - an art form that Tichi maintains is emphatically part of mainstream American culture. A compact disc of well-known country songs by leading artists is packaged with the book.
First Sentence
This book does country-does it with a head-on recognition that country is synonymous with nation.
Subjects
Other Editions
- High Lonesome
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