Varieties of musical irony
from Mozart to Mahler
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Word Count
66,500 words, Guess
Page Count
266 pages
Identifiers
- ISBN-10110714129X
- ISBN-139781107141292
- Library of Congress Control Number2016049302
- OCLC Control Number961358051
- Better World Books9781107141292
and 1 more
- Open LibraryOL26936870M
Classifications
- DDC781.1/7
- LCCML3877 .C56 2017
- LCCML3877.C56 2016
Description
"Irony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of the trope as developed by rhetoricians, philosophers, literary scholars, poets, and novelists. With occastional reflections on film music and other contemporary works, the principal focus of the book is classical music, instrumental and vocal, ranging from Mozart to Mahler. The result is a surprising array of approaches toward the making and interpretation of irony in music. Including nearly ninety musical examples, the book is clearly structured and engagingly written. This interdisciplinary volume will appeal to those interested in the relationship between music and literature as well as to scholars of musical compositions, technique, and style." -- from back cover.
Subjects
Topics
Other Editions
- Varieties of musical irony: from Mozart to Mahler
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