Julie Speed
Paintings, Constructions, and Works on Paper
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Publication
2004-05-01 - University of Texas Press
Language
English
Word Count
49,750 words, Guess
Page Count
199 pages
Physical Format
Hardcover
Identifiers
- Open LibraryOL10293252M
- ISBN-139780292702721
- ISBN-100292702728
- OCLC Control Number53091048
- Library of Congress Control Number2003020811
and 2 more
- Goodreads1527583
- LibraryThing2678580
Classifications
- LCCN6537.S6465A4 2004
Description
"Julie Speed's craftsmanship and attention to detail bring to mind the work of painters from the fifteenth- and sixteenth-century Renaissance. Unlike those artists, however, Speed is inspired by an almost limitless number of easily available sources and is unencumbered by the sexual and societal restrictions of past centuries, which gives her the freedom to paint what she wants and the way she wants. This places her body of work squarely in the present. Utilizing her keen sense of the absurd, Speed ponders the big questions - the role of religion, isolation and longing, sexuality, sin and guilt - with a sly, sometimes black, sense of humor and a steadfast refusal to offer the viewer any tidy resolutions." "To bring Speed's work to a wider audience, this illustrated volume presents one hundred color plates of her oil paintings, constructions and works on paper. Accompanying the plates are essays by art historians Elizabeth Ferrer and Edmund Pillsbury that discuss Speed's relationship to generations of figurative painters, from the artists of the Renaissance to the present, as well as her affinities with and differences from the surrealists, dadaists, and other historical movements. Rounding out the volume are fascinating excerpts from the "Books of Conversation," a series of public journals initiated by the Austin Museum of Art in connection with a touring survey of Speed's work, in which museum-goers wrote down their ideas, opinions, and questions for the artist, to which she provided written answers."--BOOK JACKET.
Subjects
Other Editions
- Julie Speed: Paintings, Constructions, and Works on Paper
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