Charterhouse of Bruges
Jan Van Eyck, Petrus Christus, and Jan Vos
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Publication
2018 - Giles Limited, D.
Language
English
Word Count
40,000 words, Guess
Page Count
160 pages
Identifiers
- ISBN-139781911282198
- ISBN-101911282190
- Library of Congress Control Number2018000150
- OCLC Control Number1020293807
- Better World Books9781911282198
and 1 more
- Open LibraryOL28691156M
Classifications
- LCCND673.E9A4 2018
- LCCND673.E9 A4 2018
Description
"At the heart of the exhibition is the reunion--for the first time in more than twenty years and the second time in their history--of the Exeter Madonna and the Frick Virgin, Jan Vos's two surviving commissions. Complementing them will be a selection of objects that place them in their rich context. Leaving questions of attribution aside, the exhibition will focus on the works' patronage, function, reception, and spiritual environment." "This book celebrates the reunion-- for the first time in twenty-four years and only the second time in their history--of two masterpieces of early Netherlandish painting commissioned by the Carthusian monk Jan Vos during his tenure as prior of the Charterhouse of Bruges in the 1440s: The Frick Collection's Virgin and Child with St. Barbara, St. Elizabeth, and Jan Vos, commissioned from Jan van Eyck and completed by his workshop; and the Gemäldegalerie's Virgin and Child with St. Barbara and Jan Vos, painted by Petrus Christus. These panels are examined with a selection of objects that place them for the first time in the rich Carthusian context for which they were created. Drawing on recent technical examination and new archival research, this volume explores the panels' creation, patronage, and function in their rich Carthusian context. The Carthusian order was one of the most austere strands of late medieval monasticism. In apparent contradiction to this asceticism, Carthusian monasteries became remarkable repositories of art, a material accumulation often attributed to lay patronage. However this explanation overlooks the ways in which the Carthusians themselves commissioned and used images for their daily devotions and liturgy, as well as their commemoration. The story of Jan Vos and his patronage of Jan van Eyck and Petrus Christus fundamentally informs our understanding of the role played by images in shaping monastic life and funerary strategies in late medieval Europe."--Front Jacket Flap.
Subjects
Other Editions
- Charterhouse of Bruges
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