Author

Publication

1995 - H.N. Abrams, New York, New York (State)

Language

English

Word Count

48,000 words, Guess

Page Count

192 pages

Identifiers

and 3 more
  • Library of Congress Control Number94034268
  • Goodreads1093632
  • LibraryThing2001990

Classifications

  • DDC709/.45/09024
  • LCCN6915 .C595 1995

Alternate Titles

  • Art of the Italian Renaissance courts

Description

Between the two splendid poles of Naples and Milan - the two great rival powers of Italy - were a cluster of duchies and princely courts, each with its own desire for fame. Like small jewels, these isolated towns and palaces glittered with artworks of the greatest virtuosity and remarkably innovative literature, music, and the sciences. In the service of their own magnificence, these great cities and tiny duchies gathered to themselves a remarkable collection of brilliant artists, poets, and scholars. The courts were the personal possessions of princes (including at least one woman); their task in the game of Italian politics was to maintain their status, wealth, and independence through skillful marriages, force of arms, strength of personality, and cultural power. Their aim as patrons of the arts and sciences was to enhance their prestige, their honor, and their glory. . Alison Cole explores these extraordinary courts, large and small, in the moment of their greatest brilliance, seeing them as the inheritors of a medieval courtly tradition, in contrast to Florence and Venice, whose model was ancient Rome.

Subjects

Topics

HistoryZ6915 colItalian ArtArt, ItalianArt, italianArt and stateArt patronage

Places

Series Statement

  • Perspectives

Other Editions

  • Virtue and magnificence: art of the Italian Renaissance courtsH.N. Abrams1995-01-01

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