Dionysiac poetics and Euripides' Bacchae
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Author
Publication
1982 - Princeton University Press, Princeton, N.J, New Jersey
Language
English
Word Count
91,000 words, Guess
Page Count
364 pages
Identifiers
- Open LibraryOL3506433M
- ISBN-100691065284
- OCLC Control Number8346745
- OCLC Control Numberdionysiacpoetics0000sega
- Library of Congress Control Number82047612
and 2 more
- LibraryThing1183604
- Goodreads887530
Classifications
- DDC882/.01
- LCCPA3973.B2 S56 1982
Description
Includes afterword (p.349-393) by the author: Dionysus and the Bacchae in the light of Recent Scholarship
First Sentence
Nietzsche's basic insight about Greek tragedy, despite exaggeration, contains much truth.
Description
In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension.
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