Max Beckmann
the self-portraits
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Author
Contributions
- Beckmann, Max, 1884-1950. - Contributor
- Gagosian Gallery. - Contributor
Publication
1992 - Gagosian Gallery, New York, New York (State)
Language
English
Word Count
29,250 words, Guess
Page Count
117 pages
Identifiers
- Open LibraryOL1717503M
- ISBN-100847816400
- OCLC Control Number26012443
- OCLC Control Numbermaxbeckmannselfp0000selz
- Library of Congress Control Number92020061
and 2 more
- LibraryThing1656830
- Goodreads4589598
Classifications
- DDC759.3
- LCCND1329.B4 S4 1992
Description
Even now, some forty-five years after his death, the works created by Max Beckmann exert an intense influence on contemporary art. His piercing self-portraits, his enigmatic yet compelling triptychs, his incisive prints all have earned him a well-deserved reputation as a creator of provocative work that is both emotionally and intellectually stimulating. Born in Leipzig, Germany, in 1884, Beckmann lived an international life, studying and working in Weimar, Frankfurt, Paris, and Berlin. Successful almost from his earliest days as a professional artist, he exhibited work to acclaim throughout Europe and America. With the Nazis' rise to power, his style and his subjects became dangerously out of fashion, and he was forced into exile - first to Amsterdam, where he spent World War II, and eventually to the United States, where he died, in New York, in 1950. . Although some scholars have categorized Beckmann as a German Expressionist, he always resisted belonging to any group, asserting that "the greatest danger which threatens mankind is collectivization." He also resisted abstraction, remaining passionately committed to the figure throughout his long career. His paintings have much to say about sex, politics, and religion - which is no doubt why they so outraged the Nazis and no doubt why they have remained so absorbing to new generations of admirers.
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- Max Beckmann: the self-portraits
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