Publication

2010 - University of California Press, Berkeley, California

Language

English

Word Count

79,250 words, Guess

Page Count

317 pages

Identifiers

  • Internet Archiveabsolutemusicmec0000ashb
  • ISBN-100520264797
  • ISBN-100520264800
  • ISBN-139780520264793
  • ISBN-139780520264809
and 5 more
  • Library of Congress Control Number2009040742
  • OCLC Control Number449860806
  • Better World Books9780520264809
  • Better World Books9780520264793
  • Open LibraryOL24408597M

Classifications

  • DDC781.49
  • LCCML3854 .A84 2010
  • LCCML3854.A84 2010

Description

"Recordings are now the primary way we hear classical music, especially the more abstract styles of 'absolute' instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life."--Publisher's description.

Subjects

Other Editions

  • Absolute music, mechanical reproductionUniversity of California Press2010-01-01

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