Dark energy
Hitchcock's absolute camera and the physics of cinematic spacetime
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Author
Publication
2013 - Bloomsbury Academic, an imprint of Bloomsbury Pub. Plc, New York (State)
Language
English
Word Count
43,750 words, Guess
Page Count
175 pages
Identifiers
- Open LibraryOL27153581M
- ISBN-139781441184016
- ISBN-101441184015
- OCLC Control Number657603390
- OCLC Control Number1154941490
and 1 more
- Library of Congress Control Number2013004492
Classifications
- DDC791.4302/33092
- LCCPN1998.3.H58 S56 2013
Description
"Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first 'official' film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock's films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry's book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock's technological genius and camera aesthetics, helping to explain the concept of 'pure cinema' and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock's art." -- Publisher's website.
Subjects
Other Editions
- Dark energy
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