Music and Exile in Francoist Spain
Our rough guess is there are 54,000 words in this book.
At a pace averaging 250 words per minute, this book will take 3 hours and 36 minutes to read. With a half hour per day, this will take 7 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
Word Count
54,000 words, Guess
Page Count
216 pages
Identifiers
- Open LibraryOL28822240M
- ISBN-139781472450043
- ISBN-101472450043
- Library of Congress Control Number2015019030
- OCLC Control Number910009302
and 1 more
- Better World Books9781472450043
Classifications
- LCCML3917.S73M67 2015
- LCCML3917.S73 M67 2015
- LCCML3917.S73 M67 2016
Description
"The Spanish Republican exile of 1939 impacted music as much as it did literature and academia, with well-known figures such as Adolfo Salazar and Roberto Gerhard forced to leave Spain. Exile is typically regarded as a discontinuity - an irreparable dissociation between the home country and the host country. Spanish exiled composers, however, were never totally cut off from the musical life of Francoist Spain (1939-1975), be it through private correspondence, public performances of their work, honorary appointments and invitations from Francoist institutions, or a physical return to Spanish soil. Music and Exile in Francoist Spain analyses the connections of Spanish exiled composers with their homeland throughout 1939-1975. Taking the diversity and heterogeneity of the Spanish Republican exile as its starting point, the volume presents extended comparative case studies in order to broaden and advance current conceptions of, and debates surrounding, exile in musicology and Spanish studies. In doing so, it significantly furthers academic research on individual composers including Salvador Bacarisse, Julian Bautista, Roberto Gerhard, Rodolfo Halffter, Julian Orbon and Adolfo Salazar. As the first English-language monograph to explore the exiled composers from the perspectives of historiography, music criticism, performance and correspondence, Eva Moreda Rodriguez's vivid reconception of the role of place and nation in twentieth-century music history will be of particular interest for scholars of Spanish music, Spanish Republican history, and exile and displacement more broadly."--Provided by publisher.
Subjects
Topics
Other Editions
- Music and Exile in Francoist Spain
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!