Publication

1998 - University of California Press, Berkeley, California

Language

English

Word Count

67,750 words, Guess

Page Count

271 pages

Identifiers

  • Open LibraryOL696265M
  • ISBN-100520212010
  • OCLC Control Number37987182
  • Library of Congress Control Number97043755
  • Goodreads2320688
and 1 more
  • LibraryThing947308

Classifications

  • DDC709/.2
  • LCCNB623.C2 J64 1998

Description

The sculptor Antonio Canova was the most celebrated artist of a perilously protean and fractious era. In revolutionary and Napoleonic Europe, while other artists bent to the will of the political powers that commissioned their work, producing art in the service of the state, Canova managed to resist both threats and blandishments. Although he held strong opinions on the issues of his day, he avoided direct political or ideological engagement in his sculpture. Christopher M. S. Johns presents the first sustained study of Canova's career in relation to his patrons and contemporary politics. In it he enlarges our understanding of an artist whose work is crucial to the evaluation of European art and political history.

Subjects

Topics

HistoryArt patronageNeoclassicism (Art)Criticism and interpretationNeoclassicism (Art) -- EuropeArt patronage -- Europe -- History -- 18th centuryArt patronage -- Europe -- History -- 19th century

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