Publication

1995 - State University of New York Press, Albany, New York (State)

Language

English

Word Count

59,500 words, Guess

Page Count

238 pages

Identifiers

and 3 more
  • Library of Congress Control Number94013343
  • LibraryThing342315
  • Goodreads3309976

Classifications

  • DDC302.23/43
  • LCCPN1995.9.A8 D58 1995

Description

This book is a study of one of the most insidious and pervasive phenomena in the study and reception of cinema: the "returned gaze" from the screen in which the audience is actually surveilled by the film being projected on the screen. Rather than the usual process of watching a film, in those films which return the gaze of the viewer, the film looks at us, confronting our voyeur's embrace of the spectacle it presents. The book cites examples as diverse as Andy Warhol's Vinyl, Laurel and Hardy two-reel comedies, the films of Jean-Marie Straub, Jean-Luc Godard, Roberto Rossellini, and Wesley E. Barry's Creation of The Humanoids. It also discusses the history of the returned gaze in video, pornography, surveillance systems, and the related plastic arts.

Subjects

Series Statement

  • The SUNY series in postmodern culture

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