The world new made
figurative painting in the twentieth century
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Word Count
64,000 words, Guess
Page Count
256 pages
Identifiers
- ISBN-139780500239452
- ISBN-100500239452
- Library of Congress Control Number2015959507
- OCLC Control Number958378003
- Better World Books9780500239452
and 1 more
- Open LibraryOL27228558M
Classifications
- DDC709.04
- DDC759.06
- LCCND196.F5 H96 2016
and 1 more
- LCCND1309.6
Description
Timothy Hyman argues that figuration never went away; abstraction was just one of the ways by which artists renewed pictorial language. This book is structured not as a general survey, but as an in-depth exploration of over 130 specific paintings, and accompanying artists' writings. Focusing on those painters who took a contrary path, he presents a case for these artists as a resistance of sorts. Starting with the oppressive stylistic imperative that set in as Cubism became a movement, he guides us through the Neue Sachlichkeit response to Expressionism, Intimism, 'outsiders' and the aftermath of Abstract Expressionism, towards a new kind of history painting. He shows how abstraction becomes a midwife to a new kind of figuration. A celebration of the richness of human-centred painting over the last century, Timothy Hyman's lavishly illustrated new book brings these often-marginalized artists centre stage. Together they offer a counter-argument to Western formalism, and a foundation for the figurative painters of the 21st century.
Subjects
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Other Editions
- The world new made: figurative painting in the twentieth century
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