The sixth sense of the avant-garde
dance, kinaesthesia and the arts in revolutionary Russia
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Author
Contributions
- Smith, Roger, 1945- author - Contributor
Publication
2017 - , England
Language
English
Word Count
54,250 words, Guess
Page Count
217 pages
Identifiers
- ISBN-101350014311
- ISBN-139781350014312
- Library of Congress Control Number2016048840
- OCLC Control Number953630548
- Better World Books9781350014312
and 1 more
- Open LibraryOL27232860M
Classifications
- DDC700.947/09041
- LCCPG3026.E98 S56 2017
- LCCGV1663
Description
"The touch and movement senses have a large place in the modern arts. This is widely discussed and celebrated, often enough as if it represents a breakthrough in a primarily visual age. This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff. Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life."--
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- The sixth sense of the avant-garde: dance, kinaesthesia and the arts in revolutionary Russia
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