The Claude Glass
Use and Meaning of the Black Mirror in Western Art
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Author
Contributions
- Jeff Fort (Translator) - Contributor
Publication
2004-10-01 - Zone Books
Language
English
Word Count
75,000 words, Guess
Page Count
300 pages
Physical Format
Hardcover
Identifiers
- Open LibraryOL8715725M
- ISBN-139781890951474
- ISBN-101890951471
- OCLC Control Number55016164
- OCLC Control Numberclaudeglassuseme00arna
and 4 more
- Library of Congress Control Number2004049072
- Goodreads1384013
- LibraryThing1012253
- Open LibraryOL27113177M
Classifications
- LCCND1505 .M3513 2004
Description
"Arnaud Maillet's The Claude Glass is a contribution to the history of Western visual culture. In this first full-length study of a largely forgotten optical device from the eighteenth-century, Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. Maillet, in this account, goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the background of the "black mirror" through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices such as photography, film, and contemporary art."--BOOK JACKET.
Description
In this first full-length study of a largely forgotten optical device from the eighteenth century, Arnaud Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. In a groundbreaking account, Maillet goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the magical and occult background of the "black mirror," through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices, including photography, film, and contemporary art. The Claude Glass is a lasting contribution to the history of Western visual culture.
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