The monster show

Description

"I'll show you what horror means," snarled Fredric March in the 1931 film version of Dr. Jekyll and Mr. Hyde. Six decades later, the acclaimed author of Hollywood Gothic makes good on Mr. Hyde's promise with the most ambitious and entertaining history of the genre ever published. America is in love with horror, with demon children, gender-bending vampires, and the battlefield aesthetic of post-Vietnam movies. Horror entertainment in all its forms - from Dracula, Frankenstein, and the Phantom of the Opera to Stephen King, Anne Rice, and the Terminator, from Tod Browning's "Freaks" to the photographs of Diane Arbus and the neo-Gothic trappings of heavy metal music - is a multi-billion-dollar cultural juggernaut. Illuminating the dark side of the American century, this provocative book uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating social analysis and revealing anecdote, David Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more.

First Sentence

TOD BROWNING lay in his grave, eating malted milk balls.

Excerpt

TOD BROWNING lay in his grave, eating malted milk balls.

Description

Illuminating the dark side of the American century, this book uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more.--From publisher description.

Subjects

Links

• Contributor biographical information
• Publisher description

Other Editions

• The monster show: a cultural history of horrorFaber and Faber2001-01-01
• The monster showNorton1993-01-01
• The monster showPlexus1993-01-01
• The Monster ShowPenguin (Non-Classics)1994-10-01