Paul Strand, circa 1916
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Author
Contributions
- Strand, Paul, 1890-1976. - Contributor
- Metropolitan Museum of Art (New York, N.Y.) - Contributor
Publication
1998 - The Metropolitan Museum of Art, New York, New York (State)
Language
English
Word Count
41,500 words, Guess
Page Count
166 pages
Identifiers
- Open LibraryOL691841M
- ISBN-100870998463
- OCLC Control Number97039005
- OCLC Control Number37843727
- Library of Congress Control Number97039005
and 2 more
- Goodreads3490507
- LibraryThing645741
Classifications
- DDC779/.074747/1
- LCCTR647 .H3462 1998
Description
Paul Strand (1890-1976) was one of the most important and influential photographers of this century. The dramatic achievements of his early career, which have not until now been studied apart from his entire oeuvre, are the focus of this book, which accompanies an exhibition at The Metropolitan Museum of Art, New York. Spurred by the example of Cezanne, Picasso, and Nietzsche, Strand pushed the medium into artistic terrain considered too difficult, cerebral, or brutal to describe with a camera. After studying photography with the social reformer Lewis Hine, Strand began to absorb the ideas of the European avant-garde, gradually abandoning the painterly effects of pictorialism in favor of a candid and psychologically potent realism on the one hand and a masterfully wrought abstraction on the other. The text by Maria Morris Hambourg traces the early development of Strand's ideas, the complex cultural context of his experiments, and the emergence of such masterpieces as Wall Street, White Fence, and Blind.
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