Author

Contributions

  • Kelly, Karen, editor - Contributor
  • Schöneich, Fabian, editor, curator - Contributor
  • Schroeder, Barbara, 1965- editor - Contributor

Publication

2017 - Dancing Foxes Press/Portikus, Frankfurt, New York (State)

Language

English

Word Count

40,750 words, Guess

Page Count

163 pages

Identifiers

  • ISBN-100998632627
  • ISBN-139780998632629
  • OCLC Control Number982649922
  • Better World Books9780998632629
  • Open LibraryOL26939842M

Classifications

  • DDC700.411
  • LCCN6537.S543 A4 2017
  • LCCND237

Alternate Titles

  • All-over

Description

Sillman's works can be categorized as abstract painting, although her abstractions repeatedly allow forms and figures to be recognized. The title of the exhibition 'the ALL-OVER' refers to a concept often used to describe abstract painting. At its most literal, it refers to the practice of completely covering the canvas, a format that resists a traditional figure/ground hierarchy. The classic example of the style is embodied by the work of the American artist Jackson Pollock, though as the influential critic Clement Greenberg pointed out, the style in fact originated with the Ukrainian-American artist Janet Sobel. Sillman adapts this all-over idea, using it as the title for her exhibition, which does not feature drip paintings as such, but which updates the idea of total coverage of the canvas through mechanical means (via inkjet printing) used in combination with the gestural. Panorama, consisting of twenty-four canvases, was developed for Portikus and is here seen in its entirety for the first time. Exhibition: Portikus, Frankfurt am Main, Germany (02.07. - 11.09.2016).

Subjects

Topics

ArtExhibitionsPainting, americanPainting, exhibitionsKunsthalle Portikus (Frankfurt am Main, Germany),

People

Amy Sillman

Other Editions

  • Amy Sillman: the all-overDancing Foxes Press/Portikus, Frankfurt2017-01-01

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