Amy Sillman
the all-over
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Author
Contributions
- Kelly, Karen, editor - Contributor
- Schöneich, Fabian, editor, curator - Contributor
- Schroeder, Barbara, 1965- editor - Contributor
Publication
2017 - Dancing Foxes Press/Portikus, Frankfurt, New York (State)
Language
English
Word Count
40,750 words, Guess
Page Count
163 pages
Identifiers
- ISBN-100998632627
- ISBN-139780998632629
- OCLC Control Number982649922
- Better World Books9780998632629
- Open LibraryOL26939842M
Classifications
- DDC700.411
- LCCN6537.S543 A4 2017
- LCCND237
Alternate Titles
- All-over
Description
Sillman's works can be categorized as abstract painting, although her abstractions repeatedly allow forms and figures to be recognized. The title of the exhibition 'the ALL-OVER' refers to a concept often used to describe abstract painting. At its most literal, it refers to the practice of completely covering the canvas, a format that resists a traditional figure/ground hierarchy. The classic example of the style is embodied by the work of the American artist Jackson Pollock, though as the influential critic Clement Greenberg pointed out, the style in fact originated with the Ukrainian-American artist Janet Sobel. Sillman adapts this all-over idea, using it as the title for her exhibition, which does not feature drip paintings as such, but which updates the idea of total coverage of the canvas through mechanical means (via inkjet printing) used in combination with the gestural. Panorama, consisting of twenty-four canvases, was developed for Portikus and is here seen in its entirety for the first time. Exhibition: Portikus, Frankfurt am Main, Germany (02.07. - 11.09.2016).
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Other Editions
- Amy Sillman: the all-over
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