The copyright wars
three centuries of trans-Atlantic battle
Our rough guess is there are 133,750 words in this book.
At a pace averaging 250 words per minute, this book will take 8 hours and 55 minutes to read. With a half hour per day, this will take 18 days to read.
How long will it take you?
This book will take an estimated to read at a reading speed averaging words per minute. With 30 minutes per day, this will take to read.
Enter your reading speedYou can take one of our WPM reading speed tests to find your reading speed.
Create a free account to track your reading progress, build your reading list, and set reading goals.
Word Count
133,750 words, Guess
Page Count
535 pages
Identifiers
- Internet Archivecopyrightwarsthr0000bald
- Internet Archivethecopyrightwars00bald
- ISBN-100691161828
- ISBN-139780691161822
- Library of Congress Control Number2013049603
and 3 more
- OCLC Control Number865543996
- Better World Books9780691161822
- Open LibraryOL27168088M
Classifications
- DDC346.404/82
- LCCK1420.5 .B359 2014
- LCCK1420.5.B359 2014
Description
Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright -- and its violation -- a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries -- and their history is essential to understanding today's battles. Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? This book describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. It also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world's intellectual property policeman in the late twentieth
Description
Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? --Publisher's description.
Subjects
Topics
Places
Other Editions
- The copyright wars: three centuries of trans-Atlantic battle
Reader Reviews
No reviews yet for this book.
Be the first to share your thoughts!