Post-object fandom
television, identity and self-narrative
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Author
Publication
2015 - Bloomsbury Academic, An imprint of Bloomsbury Publishing, Inc., New York, New York (State)
Language
English
Word Count
58,750 words, Guess
Page Count
235 pages
Identifiers
- Open LibraryOL31039747M
- ISBN-139781623564636
- OCLC Control Number873762442
- OCLC Control Number898214335
- Internet Archivepostobjectfandom0000will
and 1 more
- Library of Congress Control Number2014033045
Classifications
- DDC791.45/750973
- LCCPN1992.6 .W58 2015
Description
Fandom is generally viewed as an integral part of everyday life which impacts upon how we form emotional bonds with ourselves and others in a modern, mediated world. Whilst it is inevitable for television series to draw to a close, the reactions of fans have rarely been considered. Williams explores this everyday occurence through close analysis of television fans to examine how they respond to, discuss, and work through their feelings when shows finish airing. Through a range of case studies, including The West Wing (NBC, 2000-2006), Lost (ABC 2004 -2010), Buffy the Vampire Slayer (1997-2003), Doctor Who (BBC 1963-1989; 2005-), The X-Files (FOX, 1993-2002), Firefly (FOX, 2002) and Sex and the City (HBO, 1998-2004), Williams considers how fans prepare for the final episodes of shows, how they talk about this experience with fellow fans, and how, through re-viewing, discussion and other fan practices, they seek to maintain their fandom after the show's cessation
Subjects
Other Editions
- Post-object fandom: television, identity and self-narrative
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