Performing Femininity
Woman As Performer in Pre-Revolutionary Cinema
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Word Count
76,000 words, Guess
Page Count
304 pages
Identifiers
- Open LibraryOL29296997M
- ISBN-139781784531591
- OCLC Control Number968326301
- OCLC Control Number1139315425
Classifications
- LCCPN1993.5.R9
- LCCPN1993.5.R9 M55 2017
Description
From Oriental dancers to ballerinas and opera singers, the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From Romashkov's Stenka Razin (1908), to Viskovsky's The Last Tango (1918), the female performer remains central. In this groundbreaking new study, Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers used this archetype of femininity to experiment and develop a unique cinematic language.
Subjects
Other Editions
- Performing Femininity: Woman As Performer in Pre-Revolutionary Cinema
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