Edward Burne-Jones, Victorian artist-dreamer
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Author
Contributions
- Burne-Jones, Edward Coley, Sir, 1833-1898. - Contributor
- Christian, John, 1942- - Contributor
- Crawford, Alan, 1943- - Contributor
- Des Cars, Laurence. - Contributor
- Metropolitan Museum of Art (New York, N.Y.) - Contributor
and 2 more
- Birmingham Museums and Art Gallery. - Contributor
- Musée d'Orsay. - Contributor
Publication
1998 - Metropolitan Museum of Art, New York, New York (State)
Language
English
Word Count
90,250 words, Guess
Page Count
361 pages
Identifiers
- Open LibraryOL354736M
- ISBN-100870998587
- OCLC Control Number607121732
- OCLC Control Number38565999
- OCLC Control Numberedwardburnejones0000wild
and 3 more
- Library of Congress Control Number98014480
- LibraryThing234193
- Goodreads1787384
Classifications
- DDC760/.092
- LCCN6797.B86 A4 1998
Description
A pupil of Dante Gabriel Rossetti and a protege of John Ruskin, Burne-Jones belonged to the second generation of the Pre-Raphaelite Brotherhood, creating a narrative style of romantic symbolism steeped in medieval legend and fused with the influence of Italian Renaissance masters that was to have widespread influence on both British and European art. Within the sophisticated culture of the late Victorian period, Burne-Jones's star rose rapidly, and by the 1880s he had become the establishment artist par excellence, one of the most admired and sought-after painters in Europe. Burne-Jones, in addition to being a successful and innovative painter, was also an important force in the Arts and Crafts movement, working closely with his lifelong friend William Morris in the production of such decorative arts as ceramic tiles, stained glass, large-scale tapestries, and illustrated books to be printed at Morris's renowned Kelmscott Press. Examples of works in all these media are presented in the exhibition, with full-color and black-and-white reproductions of each of the 173 works included in the catalogue.
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