Contributions

  • Kinoshita, Kyoko, author, writer of added text - Contributor
  • Lippit, Yukio, 1970- writer of added text - Contributor
  • Matsushima, Masato, writer of added text - Contributor
  • Okudaira, Shunroku, 1953- writer of added text - Contributor
  • Ōta, Aya, 1962- writer of added text - Contributor
and 1 more
  • Philadelphia Museum of Art - Contributor

Publication

2015 - , Pennsylvania

Language

English

Word Count

76,250 words, Guess

Page Count

305 pages

Identifiers

  • Open LibraryOL27180130M
  • ISBN-100876332637
  • ISBN-100300210493
  • ISBN-139780876332634
  • ISBN-139780300210491
and 3 more
  • Library of Congress Control Number2014956570
  • OCLC Control Number898114070
  • Better World Books9780300210491

Classifications

  • DDC709.5
  • LCCND1053.44.K35 F57 2015
  • LCCND1053.6
and 1 more
  • LCCND1053.44.K35 A4 2015

Description

The Kano lineage of painters-the most important in Japan-was established in the late 15th century by Kano Masanobu (1434-1530) and continued for more than 400 years, until the early 20th century. Originally limited to successive generations of the Kano family, it soon developed into a school of professional artists. This is the first and most comprehensive book published outside of Japan to address the Kano painters. Lavishly illustrated, this important volume focuses on the large-scale screens and sliding doors that were designed for the residences of powerful rulers, together with smaller works such as scrolls, albums, and fans. These works-for sites including shogunate residences, Zen temples, teahouses, and homes of wealthy merchants-demonstrate the range of styles that Kano artists employed to suit the tastes of their varied patrons. Essays by leading scholars address the wide range of Kano motifs and styles and also consider the particular influence of Kano Tan'yu (1602-1684). A dictionary of Kano artists' seals and signatures, a type of resource published here for the first time, provides an important reference, as does an appendix of images from the most significant album by Tan'yu. Exhibition: Philadelphia Museum of Art, USA (14.2.-10.5.2015).

Subjects

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