Author

Publication

1996-01-29 - University of California Press

Language

English

Word Count

120,750 words, Guess

Page Count

483 pages

Physical Format

Paperback

Identifiers

  • ISBN-139780520203341
  • ISBN-100520203348
  • LibraryThing113367
  • Goodreads1680624
  • Library of Congress Control Number95030572
and 3 more

Classifications

  • LCCPN1993.5.U6B28 1995
  • LCCPN1993.5.U6 B28 1995

Description

"Celebrated as "Hollywood's greatest year," 1939 has often been considered the apex of the studio system and the movies it produced, including Gone with the Wind, The Wizard of Oz, Stagecoach, Mr. Smith Goes to Washington, and so many other memorable pictures. It was a time when the studios exercised nearly absolute control over their product and won government sanction for the informal oligopoly that had sprung up in previous decades. In short, the film industry became a modern business enterprise - rationalized from planning through assembly-line manufacture to exhibition in studio-owned theater chains. Even community reception and the public personas of such great stars as Bette Davis, Clark Gable, and Humphrey Bogart were subject to studio influence." "In this fifth volume of the award-winning History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era. He discusses the Hollywood studios (major, minor, and "poverty row") in relation to their all-powerful (and little understood) front offices in New York; the prevailing exhibition and advertising practices; the star system; and the key trends that dominated Hollywood production: prestige pictures, musicals, women's films, comedies, social problem films, and horror pictures." "A number of distinguished guest contributors fill out the picture with analyses of censorship and the emergence of the Production Code (Richard Maltby), technology and the "classical" Hollywood style (David Bordwell and Kristin Thompson), the B Film (Brian Taves), documentary (Charles Wolfe), and the avant-garde (Jan-Christopher Horak)."--BOOK JACKET.

First Sentence

More than a year after the great Wall Street crash of 1929, conventional wisdom had it that the movies were immune to the Depression.

Excerpt

More than a year after the great Wall Street crash of 1929, conventional wisdom had it that the movies were immune to the Depression.

Subjects

Other Editions

  • Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939 (History of the American Cinema , No 5)PaperbackUniversity of California Press1996-01-29

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