Reinaldo Arenas
the Pentagonía
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Author
Publication
1994 - University Press of Florida, Gainesville, Florida
Language
English
Word Count
48,250 words, Guess
Page Count
193 pages
Identifiers
- Open LibraryOL1101191M
- ISBN-100813013151
- OCLC Control Number30667834
- OCLC Control Numberreinaldoarenaspe0000soto
- Library of Congress Control Number94026066
and 2 more
- Goodreads2317365
- LibraryThing6338161
Classifications
- DDC863
- LCCPQ7390.A72 P437 1994
Description
Cuban writer Reinaldo Arenas (1943-1990) is considered to be one of Latin America's most innovative and provocative late-twentieth-century literary voices. A prolific writer who overcame enormous persecution and censorship, Arenas wrote novels, short stories, poetry, theater pieces, and essays. Francisco Soto's Reinaldo Arenas is not only the first comprehensive review in English to examine and analyze the major works of Arenas, but it is also the first to trace the articulation of homoerotic themes and issues in the Cuban writer's oeuvre.
Description
Reinaldo Arenas is considered one of the most important Cuban writers of recent decades. His most ambitious project was a pentalogy on Cuban history, a magnificent literary legacy that he worked on intermittently from the time he was eighteen. Three of the novels are available in English, and the last two (completed shortly before his suicide in 1990 and published in their original Spanish one year later) will be available in English shortly. Arenas described these five books as both a writer's autobiography and a metaphor of Cuban history. Francisco Soto's study, the first to examine the quintet in its entirety and in English, considers the five-book sequence in the context of Cuba's state-sanctioned tradition that promotes documentary novels of immediate and practical utility. Soto argues that Arenas subverted that tradition, insisting that the writer's voice must be a call for freedom, challenging both literary and social establishments. Arenas's criticism of the Cuban Revolution was more than an attack against communism, Soto says; it was an angry cry against injustice and against a system that persecuted him simply for being homosexual. The characters of the pentalogy - "dissidents, 'extravagants,' dreamers, freethinkers, homosexuals" - represent marginal perspectives that Arenas believed should be given a voice in documentary novels but are not. The appendix contains a conversation (translated into English) between Soto and Arenas that took place in 1987 - revised and expanded by Arenas shortly before his death - in which the novelist talks at length about the pentalogy and its genesis.
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Other Editions
- Reinaldo Arenas: the Pentagonía
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