Expressionist architecture in drawings
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Author
Publication
1985 - Van Nostrand Reinhold Co., New York, N.Y, New York (State)
Language
English
Word Count
28,750 words, Guess
Page Count
115 pages
Identifiers
- Internet Archiveexpressionistarc00pehn
- ISBN-100442273843
- ISBN-139780442273842
- Goodreads2391521
- LibraryThing3574122
and 4 more
- Library of Congress Control Number84013122
- OCLC Control Number10924127
- Better World Books9780442273842
- Open LibraryOL2850825M
Classifications
- DDC720/.22/2
- LCCNA2706.G3 P4413 1985
- LCCNA2706.G3P4413 1985
Description
"The freehand sketch is of particular importance for the understanding of Expressionsist architecture - even more imporatant, it might be argued, than the finished building. For Expressionist architects were above all concerned with the spontaneity of the intial idea, a quality that only rarely survived the transition from drawing to reality, and that was often too fantastic even to attempt. Many of their most striking thoughts, therefore, remained on paper. Wolfgang Pehnt, whose Expressionist Architecture, the standard work on the subject, appeared in 1973, here brings together a representative collection of drawings, many of which have never been published before. They range from the crystalline utopias of Bruno Taut and the almost Baroque exuberance of Hans Poelzig to the clear, formulaic lines of Erich Mendelsohn and the organic forms of Otto Bartning, Rudolf Schwarz and Rudolf Steiner. Among those whose projects did achieve realization are the young Mies van der Rohe and Walter Gropius and the master of the Dutch school, Hendrik Petrus Berlage, Michel de Klerk and Piet Kramer. These are not meticulous drawings or practical blueprints, but as records of the white heat of architectural inspiration they have few equals."--book jacket.
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