American photography 1890-1965
from the Museum of Modern Art New York
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Author
Contributions
- Museum of Modern Art (New York, N.Y.) - Contributor
- Scottish National Gallery of Modern Art. - Contributor
- Victoria and Albert Museum. - Contributor
Publication
1995 - Museum of Modern Art, New York, United States
Language
English
Word Count
64,000 words, Guess
Page Count
256 pages
Identifiers
- Open LibraryOL22446746M
- ISBN-100870701401
- OCLC Control Number33407649
- OCLC Control Numberamericanphotogra0000muse
- Library of Congress Control Number94073385
and 2 more
- Goodreads1923868
- LibraryThing2270140
Classifications
- DDC770.973
- LCCTR645.N532 M838 1995
Description
American photography from the turn of the century through the mid-1960s offers one of the richest and most coherent traditions in the history of the medium. This book explores that tradition in depth through superb reproductions of 183 photographs from the outstanding collection of The Museum of Modern Art. Toward the end of the nineteenth century photographs became radically easier to make and to reproduce. The result was a vast new range of audiences and applications for photography. From untutored snap-shooter to specialized professional, the swelling ranks of photographers produced a sprawling diversity of new pictures, which recorded and helped to create modern America. At the same time, there arose an elite movement that withdrew from the undisciplined bustle of the modern world and claimed for photography a position among the fine arts. The first part of the introductory essay concisely outlines the evolution and interplay of photography's high-art and vernacular traditions. The second part traces the growth of the pioneering photography program at The Museum of Modern Art in which Ansel Adams, Edward Steichen, and other leading American photographers played decisive roles. Luc Sante's essay, "A Nation of Pictures," places photography at the center of a lively reconsideration of modern American culture, which touches on music, the movies, the magazines, and a great deal more. A splendid gallery of photographs follows the essays. American photography from Jacob Riis and Alfred Stieglitz to Richard Avedon and Diane Arbus is set forth through a carefully ordered sequence, in which groups of pictures conceived as works of fine art alternate with groups of pictures that served a myriad of worldly functions. Major figures, such as Paul Strand, Edward Weston, Walker Evans, Dorothea Lange, Harry Callahan, and Robert Frank, are each represented by six or more photographs. Dozens of other distinguished photographers are included as well, and many remarkable but unfamiliar pictures join the landmark works.
Subjects
Topics
Other Editions
- American photography 1890-1965: from the Museum of Modern Art New York
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