One-way street
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Author
Contributions
- Benjamin, Walter, 1892-1940 - Contributor
- Jephcott, E. F. N., translator - Contributor
- Jennings, Michael William, editor, writer of introduction - Contributor
- Marcus, Greil, writer of preface - Contributor
Publication
2016 - Belknap Press, Massachusetts
Language
English
Word Count
26,250 words, Guess
Page Count
105 pages
Identifiers
- ISBN-100674052293
- ISBN-139780674052291
- Library of Congress Control Number2015039382
- OCLC Control Number926061415
- Better World Books9780674052291
and 2 more
- Better World Booksp8-cys-187
- Open LibraryOL27215945M
Classifications
- DDC838/.91209
- LCCPN6283 .B413 2016
- LCCPN6283.B413 2016
Alternate Titles
- 1 way street
Description
"One-Way Street is a thoroughfare unlike anything else in literature--by turns exhilarating and bewildering, requiring mental agility and a special kind of urban literacy. Presented here in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces such as 'On the Concept of History' and The Arcades Project. Composed of sixty short prose pieces that vary wildly in style and theme, One-Way Street evokes a dense cityscape of shops, cafes, and apartments, alive with the hubbub of social interactions and papered over with public inscriptions of all kinds: advertisements, signs, posters, slogans. Benjamin avoids all semblance of linear narrative, presenting readers with a seemingly random sequence of aphorisms, reminiscences, jokes, off-the-cuff observations, dreamlike fantasias, serious philosophical inquiries, apparently unserious philosophical parodies, and trenchant political commentaries. Providing remarkable insight into the occluded meanings of everyday things, Benjamin time and again proves himself the unrivalled interpreter of what he called 'the soul of the commodity.' Despite the diversity of its individual sections, Benjamin's text is far from formless. Drawing on the avant-garde aesthetics of Dada, Constructivism, and Surrealism, its unusual construction implies a practice of reading that cannot be reduced to simple formulas. Still refractory, still radical, One-Way Street is a work in perpetual progress."--Provided by publisher.
Subjects
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