Image ethics
the moral rights of subjects in photographs, film, and television
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Contributions
- Gross, Larry P., 1942- - Contributor
- Katz, John Stuart. - Contributor
- Ruby, Jay. - Contributor
Publication
1988 - Oxford University Press, New York, New York (State)
Language
English
Word Count
95,500 words, Guess
Page Count
382 pages
Identifiers
- Open LibraryOL2528836M
- ISBN-100195054334
- OCLC Control Number17676506
- Internet Archiveimageethicsmoral0000unse
- Library of Congress Control Number88004203
and 2 more
- Goodreads1184289
- LibraryThing5011602
Classifications
- DDC174
- LCCKF1263.U5 I45 1988
- LCCKF1263.U5I45 1988
Description
This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.
Subjects
Topics
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Series Statement
- Communication and society
Other Editions
- Image ethics: the moral rights of subjects in photographs, film, and television
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