The monastic performance, The mystic contract, The ecstatic recording
Jan Fabre in St Augustine's Church in Antwerp
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Author
Contributions
- Fabre, Jan, 1958- - Contributor
Publication
2018 - Mercatorfonds, Brussels, Belgium
Language
English
Word Count
26,750 words, Guess
Page Count
107 pages
Identifiers
- ISBN-10946230243X
- ISBN-139789462302433
- OCLC Control Number1055420098
- Open LibraryOL44405679M
Classifications
- LCCN6973.F33 A4 2018
Alternate Titles
- Jan Fabre in St Augustine's Church in Antwerp
Description
As part of the city-wide 'Antwerp Baroque 2018' festival, artist Jan Fabre has been invited to create three new altarpieces for Antwerp's Church of St Augustine, now the home of the international cultural and music centre AMUZ. In fulfilling this prestigious commission Fabre is following in the illustrious footsteps of Peter Paul Rubens, Jacob Jordaens and Anthony van Dyck, who were asked to produce an altarpiece each in 1628. This handsomely illustrated book brings to life the origin, history and richness of these works of art in all their subtlety. Fabre's extraordinary triptych, 'The Monastic Performance', 'The Mystic Contract' and 'The Ecstatic Recording' is truly breathtaking. Specially conceived, the works form an apotheosis of core elements from his oeuvre, including the lamb, fire, woman, spirituality, and his love of Antwerp, represented by the diamond motif. In this sumptuous publication, Barbara De Coninck, Joanna De Vos, Jenke Van den Akkerveken and Els Wuyts take an investigative trip through the iconography and meaning of the individual altarpieces. Starting from Fabre's preparatory collage drawings we follow the construction and metamorphosis of the mosaics. Paul Huvenne's connective essay makes a detailed comparison between Fabre's contemporary interpretations and the Baroque originals, with reference to the particular history of St Augustine's Church. And Joost Vander Auwera discovers surprising parallels between Fabre, Jordaens and Van Dyck.
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