Author

Publication

1998 - BFI Publishing, London, England

Language

English

Word Count

19,750 words, Guess

Page Count

79 pages

Identifiers

and 2 more
  • Goodreads1640056
  • LibraryThing4263829

Classifications

  • DDC791.43/72
  • LCCPN1997.S84 F57 1998

Description

"For Nestor Almendros, Sunrise is 'a dialectical movie'. Similarly, for Tony Rayns, its 'meaning springs largely from [its] oppositions'. For Dorothy Jones, it 'communicate[s] by establishing significant contrasts'. While these critical views highlight the film's antitheses (a trope that Berman associates with modernity), they stress separation at the expense of continuity (or 'disunity' at the expense of 'unity'). Rather than embrace fixed divisions, Sunrise is a text marked by fluid boundaries - junctions that trace the subtle connection between entities rather than their clear demarcation. It is this complex mode of 'border crossing' (this world of 'Both/And' - not 'Either/Or' [Berman]) that makes the film so poignant, resonant, fascinating and modern."--Jacket.

Subjects

Topics

LiteratureFilm criticismSunrise (Motion picture)Sunrise, a song of two humans (Motion picture)

Series Statement

  • BFI film classics

Other Editions

  • Sunrise: a song of two humansBFI Publishing1998-01-01

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