The queue
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Author
Contributions
- Laird, Sally. - Contributor
Publication
2008 - NYRB Classics, New York, New York (State)
Language
English
Word Count
70,000 words, Guess
Page Count
280 pages
Identifiers
- ISBN-101590172744
- ISBN-139781590172742
- LibraryThing74340
- Goodreads2376088
- Library of Congress Control Number2007052586
and 3 more
- OCLC Control Number183265265
- Better World Books9781590172742
- Open LibraryOL18008918M
Classifications
- DDC891.73/44
- LCCPG3488.O66 O2813 2008
- LCCPG3488.O66O2813 2008
Description
"Vladimir Sorokin’s first published novel, The Queue, is a sly comedy about the late Soviet “years of stagnation.” Thousands of citizens are in line for . . . nobody knows quite what, but the rumors are flying. Leather or suede? Jackets, jeans? Turkish, Swedish, maybe even American? It doesn’t matter–if anything is on sale, you better line up to buy it. Sorokin’s tour de force of ventriloquism and formal daring tells the whole story in snatches of unattributed dialogue, adding up to nothing less than the real voice of the people, overheard on the street as they joke and curse, fall in and out of love, slurp down ice cream or vodka, fill out crossword puzzles, even go to sleep and line up again in the morning as the queue drags on."--Amazon.com.
Description
Over the last twenty-five years Vladimir Sorokin has established himself as a provocative and unignorable presence in contemporary Russian literature, and The Queue, his first novel, is now recognized as a modern classic. Sorokin's brilliance-his formal daring, his keen eye and ear for the absurdities of life and language, his unequaled playfulness-is manifest in this sly comedy set during the late Soviet "years of stagnation." Thousands of citizens are in line for ...nobody knows quite what, but the rumors are flying. Leather or suede? Jackets, jeans? Turkish, Swedish, maybe even American? It doesn't matter-if something's for sale, it's time to queue up. The endless line of expectant, irritable, inquisitive, bored but never less than determined people has a life and a will of its own, and Sorokin, in a tour de force, conveys that life entirely through the ebb and flow of conversation. We get to know his characters as they joke and curse, flirt, fight over position in line, make love or break up, slurp down ice cream and vodka, run errands, fill out crossword puzzles, fall asleep and stand to attention again when morning comes around and the queue-which may be as long as life and as wide as the world-exercises its hypnotic hold. Sally Laird's translation of The Queue has been revised to reflect the changes in the latest Russian edition of Sorokin's youthful masterpiece, while in a new afterword Sorokin himself looks back with peculiar nostalgia on the bygone world of the Soviet Union.
Subjects
Series Statement
- New York Review Books classics
Other Editions
- The queue
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